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Primal Rage

Primal Rage

»rank: 13796

starring: Patrick Lowe, Cheryl Arutt, Sarah Buxton, Mitch Watson, Bo Svenson
directed by: Vittorio Rambaldi




Ghosthouse

Ghosthouse

»rank: 18369

starring: Lara Wendel, Greg Scott, Mary Sellers, Ron Houck, Martin Jay
directed by: Umberto Lenzi




Make Them Die Slowly (Thriller Video VHS)

Make Them Die Slowly (Thriller Video VHS)

»rank: 15678

directed by: Umberto Lenzi


: :USA VHS VlDE0 NTSC

Alligators:The Last Dinosaur

Alligators:The Last Dinosaur

»rank: 16174

starring: Barbara Bach, Claudio Cassinelli, Mel Ferrer, Romano Puppo, Fabrizia Castagnoli
directed by: Sergio Martino


: :USA VHS VlDE0 NTSC

Hercules in the Haunted World

Hercules in the Haunted World

»rank: 27758

starring: Reg Park, Christopher Lee, Leonora Ruffo, George Ardisson, Marisa Belli
directed by: Mario Bava, Franco Prosperi


: :USA VHS VlDE0 NTSC

Beyond Darkness

Beyond Darkness

»rank: 26775

starring: David Brandon, Barbara Bingham, Gene LeBrock, Michael Stephenson, Theresa Walker
directed by: Claudio Fragasso


: :USA VHS VlDE0 NTSC

Great Alligator

Great Alligator

»rank: 29005

starring: Barbara Bach, Claudio Cassinelli, Mel Ferrer, Romano Puppo, Fabrizia Castagnoli
directed by: Sergio Martino


: :USA VHS VlDE0 NTSC

Planet of the Vampires

Planet of the Vampires

»rank: 26156

starring: Barry Sullivan, Norma Bengell, Ángel Aranda, Evi Marandi, Stelio Candelli
directed by: Mario Bava


: :ltalian horror master Mario Bava brought his considerable skills to bear on this hypnotic genre hybrid, creating one of the most eerily atmospheric science fiction films ever made. A spaceship is lured to a mysterious planet, where members of its crew are slaughtered, and their bodies possessed by a near-extinct alien race--a minimalist plot, to be sure, but in the hands of Bava and cinematographer Antonio Rinaldi, Planet of the Vampires (the best-known of this film's many titles) is a near-masterpiece of style ...

Bay Of Blood

Bay Of Blood

»rank: 33681

starring: Claudine Auger, Luigi Pistilli, Claudio Camaso, Anna Maria Rosati, Chris Avram
directed by: Mario Bava


: :This late entry in ltalian horror auteur Mario Bava's catalog is in keeping with much of his other work: a rather murky plot, inventive camera work and editing, gauzy lighting using red and blue gels, and an atmospheric, dreamlike feel throughout. Where it parts ways with many of his films is in the high body count--so high that many feel Bay of Blood was a likely influence on American slasher films such as Friday the l3th. The killing centers on a list of potential ...

Two Evil Eyes

Two Evil Eyes

»rank: 29396

starring: Adrienne Barbeau, Harvey Keitel, Ramy Zada, Bingo O'Malley, Jeff Howell
directed by: Dario Argento, George A. Romero


: :Legendary horror directors George Romero and Dario Argento team up to direct a pair of short films inspired by the writing of Edgar Allen Poe. ln Romero's story, a woman (Adrienne Barbeau) and her lover hypnotize her ailing, older husband into signing over his riches. But when he dies while still under their command, his soul haunts them, seeking to be freed from their hypnotic spell. ln Argento's tale, a crime-scene photographer (Harvey Keitel) kills his live-in girlfriend in a fit of jealous ...


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$12.99



American Idol runner-up Clay Aiken still needs a hair stylist and better wardrobe, but his silvern vocals are handsomely rewarding on this holiday television special. For reasons never quite explained, the unusual production actually deconstructs the illusion of a seamless TV show by showing cast and crew buzzing about between songs. But this gimmick is easily overlooked whenever Aiken breaks into one of his clear-as-a-bell renditions of a Yuletide classic. Highlights include "Christmas Waltz," with particularly thoughtful lyrics; the touching "Merry Christmas with Love"; and a sassy "Santa Claus Is Coming to Town," the last shared with Barry Manilow and Yolanda Adams. Showman Manilow delivers a pleasant medley, and Adams is strong on her pop-gospel turn, "O Holy Night." A cute scene features all the performers talking about unusual gifts, and the finale finds Aiken and friends bringing down the house with "Because It's Christmas (For All the Children." --Tom Keogh

by William Steig
$6.95

Average customer rating: 4.0 ISBN: 0374466238

by Tim Bogenn
$11.69

Average customer rating: ISBN: 0744003849



Players who love the Flubberesque exaggerated leaping of arcade basketball games, and also those who want to run serious simulation games for fun, should be pleased with NBA Courtside 2. A fairly complete arcade mode exists, with super dunks from just inside the three-point arc, smokin' passes for players with hot hands, and 5-, 10-, and 15-point hotspots for shooting big numbers. The sonic boom dunk actually causes the opposing team to fall down onto the parquet floor.

While many novice gamers will enjoy the high-flying, mad-dunking action of the arcade mode, the heart of this game is a serious basketball simulation. With excellent controls, impressive artificial intelligence, and easy play-calling for cuts to the basket, this game should sit well with purists who prefer their mix of coaching and playing in equal doses. A deep create-a-player mode is also available for nurturing an NBA star-in-the-making and powering up his abilities as he performs well over a season. The moves of Los Angeles Laker Kobe Bryant were motion-captured for the movement of the players in this game, so expect fluid athletic motion. --Jeff Young

Pros:

  • Exciting arcade mode
  • Well-designed control scheme
  • Realistic matchups between players
Cons:
  • Graphics could be better
  • Multiplayer mode is a bit complicated with offscreen players
$14.99



Big news on the Harry Potter musical front: After scoring the first three installments in the series, John Williams has been replaced by Patrick Doyle. Still, Williams never feels far away. His main theme pops up here and there, and a track like "Voldemort," which eloquently illustrates the soul of a blacker-than-black wizard with thunderous cymbal crashes, shrieking horns, tumultuous strings, and a stately finish, firmly belongs in the Williams mode. Overall, Doyle acquits himself well. He can do light when needed ("The Quidditch World Cup," which starts out like some kind of jig), but mostly he's required to be ominous ("The Quidditch World Cup," which ends in martial war chants). Among the highlights are the aforementioned "Voldemort," but also the frantic, overpowering "The Dark Mark." Note that the CD concludes on a jarringly different note with three songs by the Weird Sisters, the group that performs at Hogwarts' Yule Ball. Led by Pulp frontman Jarvis Cocker, the ad hoc band also includes members of Radiohead and Cocker's side project Relaxed Muscle. "Do the Hippogriff" is a fast-paced rocker that somehow comes across like a grungy hybrid of Billy Idol's "White Wedding" and "Dancing with Myself." The other two songs--"This Is the Night" and "Magic Works"--are less obvious, and much better. Still, the contrast between these tracks and the instrumental score that precedes them may not be to everybody's taste. --Elisabeth Vincentelli
$13.99



You needn't see the film of Harry Potter and the Sorcerer's Stone to appreciate the wonder, magic, and fearful chills of J.K. Rowling's phenomenal bestseller in John Williams's outstanding score. Williams typically avoids the source material for the films he scores, but he reportedly derived great pleasure and inspiration from Rowling's first Harry Potter adventure, and created a perfect motif (fully expressed in "Hedwig's Theme") to dominate his score. It's first heard as a dreamy celesta waltz and embellished through myriad incarnations and moods, often with a sinister edge befitting the darker tones of Chris Columbus's direction. Evident are fantastical allusions to Saint-Saëns and Tchaikovsky (among others), and Williams's epic track is "Quidditch Match," a breathtaking frenzy to accompany the film's dazzling highlight. And while Williams occasionally flirts with self-plagiarism (with inevitable variants of his Hook and Star Wars themes), this is nevertheless a richly regal score that brilliantly evokes the mystery and magic of Harry Potter's world. --Jeff Shannon




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