Bloody Sunday (2002)


 

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Hamlet (1996)

Hamlet (1996)

»rank: 648

starring: Richard Attenborough, David Blair, Brian Blessed, Richard Briers, Michael Bryant
directed by: Kenneth Branagh


: :Kenneth Branagh's four-hour production of Shakespeare's full text for Hamlet is visually lush (shot in 70mm, which is rarely done) and full of fascinating story moments that normally get cut from shorter stage versions. (Your idea of what kind of fellow Polonius is may change quite a bit.) The unexpurgated approach is truly enlightening, and Branagh intermittently succeeds at giving familiar moments in the drama an original cinematic spin, including Hamlet's spooky confrontation with his father's ghost (Brian Blessed). (Branagh also imposes some ...

Chariots of Fire

Chariots of Fire

»rank: 3837

starring: Ben Cross, Ian Charleson, Nicholas Farrell, Nigel Havers, Daniel Gerroll
directed by: Hugh Hudson


: essential video:The come-from-behind winner of the 1981 0scar for best picture, Chariots of Fire either strikes you as either a cold exercise in mechanical manipulation or as a tale of true determination and inspiration. The heroes are an unlikely pair of young athletes who ran for Great Britain in the 1924 Paris 0lympics: devout Protestant Eric Liddell (lan Charleson), a divinity student whose running makes him feel closer to God, and Jewish Harold Abrahams (Ben Cross), a highly competitive Cambridge student who ...

A Midwinter's Tale

A Midwinter's Tale

»rank: 5151

starring: Michael Maloney, Richard Briers, Hetta Charnley, Joan Collins, Nicholas Farrell
directed by: Kenneth Branagh


:Description:To be or not to be? To act or not to act? The questions are the same to Joe, a struggling (read: jobless) actor whose every sinew and synapse cries out to perform and to soften the blow of not landing a part in a megabudget sci-fi movie. So in the stalwart (read: desperate) tradition of actors everywhere, Joe vows to put on a show, a special (read: even more desperate) version of the greatest play in the English tongue. Writer/director Kenneth Branagh ...

Scent of a Woman

Scent of a Woman

»rank: 14038

starring: Al Pacino, Chris O'Donnell, James Rebhorn, Gabrielle Anwar, Philip Seymour Hoffman
directed by: Martin Brest


: essential video:Hoo-ah! After seven 0scar nominations for his outstanding work in films such as The Godfather, Serpico, and Dog Day Afternoon, it's ironic that Al Pacino finally won the 0scar for his grandstanding lead performance in this 1992 crowd pleaser. As the blind, blunt, and ultimately benevolent retired Lieutenant Colonel Frank Slade, Pacino is both hammy and compelling, simultaneously subtle and grandly over-the-top when defending his new assistant and prep school student Charlie (Chris 0'Donnell) at a disciplinary hearing. While the subplot ...

Greystoke: Legend of Tarzan: Lord of the Apes

Greystoke: Legend of Tarzan: Lord of the Apes

»rank: 13998

starring: Christopher Lambert, Andie MacDowell, Ralph Richardson, Ian Holm, James Fox
directed by: Hugh Hudson


: :0ne of those legendary missed opportunities, Greystoke: The Legend of Tarzan, Lord of the Apes is a movie that should have been great but wound up the victim of conflicting egos and wrong-headed choices. Based on a screenplay by Robert Towne (who took his name off it when he wasn't allowed to direct) and directed by Hugh Hudson (riding high on the basis of Chariots of Fire), the film tried to rethink the Tarzan legend of Edgar Rice Burroughs, and boy, did it ...

Lipstick on Your Collar (3pc)

Lipstick on Your Collar (3pc)

»rank: 17204

starring: Giles Thomas, Louise Germaine, Ewan McGregor, Peter Jeffrey, Clive Francis
directed by: Renny Rye


: :0ne of those legendary missed opportunities, Greystoke: The Legend of Tarzan, Lord of the Apes is a movie that should have been great but wound up the victim of conflicting egos and wrong-headed choices. Based on a screenplay by Robert Towne (who took his name off it when he wasn't allowed to direct) and directed by Hugh Hudson (riding high on the basis of Chariots of Fire), the film tried to rethink the Tarzan legend of Edgar Rice Burroughs, and boy, did it ...

Twelfth Night

Twelfth Night

»rank: 2875

starring: Helena Bonham Carter, Richard E. Grant, Imogen Stubbs, Steven Mackintosh, Nicholas Farrell
directed by: Trevor Nunn


:Description:This picture is an adaptation of Shakespeare's classic comedy. The setting has been updated to the victorian era but the focus is still on the universal question of gender.

Berlin Tunnel 21

Berlin Tunnel 21

»rank: 19822

starring: Richard Thomas, Horst Buchholz, José Ferrer, Jacques Breuer, Kenneth Griffith
directed by: Richard Michaels


: :Five desperate men attempt a daring rescue under the Berlin Wall in this action-packed adventure. The year is 1961. The Soviets have just cut off East Berlin from West Berlin. A young U.S. Army Lieutenant and his East German girlfriend cannot marry because she is forbidden to leave her sector of the city. A few brave people make daring escapes across the barrier, but must leave their families and friends behind. Determined to rescue their loved ones and bring them to the ...

Playing Away

Playing Away

»rank: 13710

starring: Norman Beaton, Robert Urquhart, Helen Lindsay, Nicholas Farrell, Brian Bovell
directed by: Horace Ové


: :Five desperate men attempt a daring rescue under the Berlin Wall in this action-packed adventure. The year is 1961. The Soviets have just cut off East Berlin from West Berlin. A young U.S. Army Lieutenant and his East German girlfriend cannot marry because she is forbidden to leave her sector of the city. A few brave people make daring escapes across the barrier, but must leave their families and friends behind. Determined to rescue their loved ones and bring them to the ...

Bloody Sunday (2002)

Bloody Sunday (2002)

»rank: 15018

starring: James Nesbitt, Allan Gildea, Gerard Crossan, Mary Moulds, Carmel McCallion
directed by: Paul Greengrass


: :With breathtaking verisimilitude, Bloody Sunday posits an immediate, you-are-there re-creation of lreland's most controversial contemporary tragedy. From dusk to dawn, the events of January 30, 1972, are presented in convincing verité fashion; by employing rapid fade-to-black transitions, director Paul Greengrass approaches two perspectives with equal anticipation of potential disaster, based on facts as reported in Don Mullan's politically influential book Eyewitness Bloody Sunday. lvan Cooper (James Nesbitt) is, ironically, a Protestant Member of Parliament, leading a peaceful but tensely expectant civil rights march ...


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$23.99



The fourth entry in the Harry Potter saga could be retitled Fast Times at Hogwarts, where finding a date to the winter ball is nearly as terrifying as worrying about Lord Voldemort's return. Thus, the young wizards' entry into puberty (and discovery of the opposite sex) opens up a rich mining field to balance out the dark content in the fourth movie (and the stories are only going to get darker). Mike Newell (Four Weddings and a Funeral) handily takes the directing reins and eases his young cast through awkward growth spurts into true young actors. Harry (Daniel Radcliffe, more sure of himself) has his first girl crush on fellow student Cho Chang (Katie Leung), and has his first big fight with best bud Ron (Rupert Grint). Meanwhile, Ron's underlying romantic tension with Hermione (Emma Watson) comes to a head over the winter ball, and when she makes one of those girl-into-woman Cinderella entrances, the boys' reactions indicate they've all crossed a threshold.

But don't worry, there's plenty of wizardry and action in Goblet of Fire. When the deadly Triwizard Tournament is hosted by Hogwarts, Harry finds his name mysteriously submitted (and chosen) to compete against wizards from two neighboring academies, as well as another Hogwarts student. The competition scenes are magnificently shot, with much-improved CGI effects (particularly the underwater challenge). And the climactic confrontation with Lord Voldemort (Ralph Fiennes, in a brilliant bit of casting) is the most thrilling yet. Goblet, the first installment to get a PG-13 rating, contains some violence as well as disturbing images for kids and some barely shrouded references at sexual awakening (Harry's bath scene in particular). The 2 1/2-hour film, lean considering it came from a 734-page book, trims out subplots about house-elves (they're not missed) and gives little screen time to the standard crew of the other Potter films, but adds in more of Britain's finest actors to the cast, such as Brendan Gleeson as Mad-Eye Moody and Miranda Richardson as Rita Skeeter. Michael Gambon, in his second round as Professor Dumbledore, still hasn't brought audiences around to his interpretation of the role he took over after Richard Harris died, but it's a small smudge in an otherwise spotless adaptation. --Ellen A. Kim

On the DVD
The highlight of the two-disc set is a half-hour conversation with actors Daniel Radcliffe, Emma Watson, and Rupert Grint. They discuss their reactions to the film and other topics with British writer Richard Curtis . Then they answer questions from contest-winning fans, such as what are their favorite kids' books (Watson bypasses the obvious answer in favor of Roald Dahl and Philip Pullman) and what scenes are they looking forward to in upcoming films. More routine extras include the "Reflections on the Fourth Film" featurette (14 min.), though it has comments from some of the other young cast members, and "Preparing for the Yule Ball" (9 min.). The 10 minutes of additional scenes are mostly skulking and skullduggery, plus a long musical number from the ball. The remaining material is grouped along the lines of the Triwizard Tournament, with behind-the-scenes looks at each of the competitions (about 22 min. total), two longer featurettes on He Who Must Not Be Named (11 min.) and the workday of the other contestants (Robert Pattinson, Stanislav Ianevski, and Clémence Poésy, 13 min.), and four games, playable with the directional arrows on the remote control, that can be frustrating to figure out. --David Horiuchi

$9.97



Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon

by Raven Symone
$10.87

Average customer rating: ISBN: 0786837551
$13.99



It's a pleasant surprise when a Hollywood sequel actually rivals the artistic success of its inspiration, but that's exactly what Dreamworks' second computer animated skewering of the classic fairy tale canon does with consistent wit and charm. It boasts a vibrant song-score (Harry Gregson-Williams' slyly humorous orchestral soundtrack is also available) to match, one that bristles with even more eclectic pop energy than the original, if not quite as many left-field surprises. There are takes on love with a contemporary edge from Eels and Dashboard Confessional, as well as more traditional romantic ballads from Joseph Arthur and Counting Crows, while veterans Tom Waits and Nick Cave offer up slices of their own typically moody melancholia. Covers of Bonnie Tyler's "Holding Out For A Hero" (in a dry techno revamp by Frou Frou) and Bowie's "Changes" (with a cameo by the author himself lighting up an otherwise mundane version) are also featured, though neither reaches the loopy orbit of Antonio Banderas and Eddie Murphy trashing Ricky Martin's kitsch-iconic "La Vida Loca." --Jerry McCulley




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(2002) Sunday Bloody
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